Now Playing Tracks

i-am-dreaming-of-wonderland:

heterophobicgoat:

stupidandreckless:

NOOOO NO NO NONO FUCK FUCK  FUCKIG CBS IS TELLING WOMEN NOT TO REPORT SEXUAL HARASSMENT BECAUSE IT WILL “DAMAGE THEIR CAREERS” and “HARASSMENT IS AN UNFORTUNATE PART OF CLIMBING THE LADDER” I AM SO ANGRY THEY ARE LITERALLY TURNING SEXUAL HARASSMENT INTO A NORM THIS IS NOT OKAY

This is an actual article and I’m still having a hard time believing it’s real.

PLEASE GOD, THROW BRAINS FOR PEOPLE LIKE THE AUTHOR OF THIS. OR STONES. I DON’T CARE, JUST THROW SOMETHING.

There’s a little girl waiting in a garden. She’s going to wait a long while, so she’s going to need a lot of hope. Go to her. Tell her a story. Tell her that if she’s patient, the days are coming that she’ll never forget. Tell her she’ll go to sea and fight pirates. She’ll fall in love with a man who’ll wait two-thousand years to keep her safe. Tell her she’ll give hope to the greatest painter who ever lived and save a whale in outer space. Tell her this is the story of Amelia Pond. And this is how it ends.

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

We make Tumblr themes